March 2, 2011

If this year’s Academy Awards taught us anything, it’s that no matter how many successful flights you’ve had, you can’t just put the plane on autopilot and go take a nap in the back. Sure, it might work out … but there’s also a really good chance you’ll leave a charred crater in some wheat field in South Dakota. Last Sunday’s Oscars ceremony was a spectacularly ugly crash – at least metaphorically speaking. A few minutes after the now obligatory introductory montage, you could hear the air hissing out of the tires. It’s not that the hosts weren’t fascinating and charming. James Franco brought his trademark Cheshire-cat-holding-in-a-bong-hit smile, and Anne Hathaway brought her Disney princess looks, eight spectacular dresses, and more bubbly enthusiasm than any host in recent memory, but it still wasn’t enough to drag the dead horse of the Oscars across the finish line. No, that was left to a bunch of public school kids in T-shirts. T-shirts? WTFingF? It’s the Academy Awards, not Tosh.0. Surely the Academy has enough petty cash lying around to pimp each and every one of those kids out like Liberace … or at the very least Jay-Z. Instead, they were dressed like they were hired to pick up trash on the side of the interstate. Stay classy Oscar. Worse yet, the T-shirts had each kid’s respective chorus section printed on the front. Wow. Apparently the Academy thinks that kids who go to public schools in Staten Island must be too retarded to know where to stand without looking at the front of their T-shirts. Saving money by hiring a couple of noobs to host the awards is almost understandable (hey, with the type of sharp, pithy writing the Oscars are known for, a trained monkey could host, right?). In these tough economic times you have to think outside the box, but going cheap on the big closing number is just unforgivable. Those poor kids sang their hearts out, and all they got was a lousy T-shirt? Somewhere over the rainbow the dreams that you dare to dream really don’t come true … well, unless maybe you’re Charlie Sheen, who somehow managed to overcome the hardship of being born the son of a Hollywood celebrity by transforming himself into a tiger-blooded, bitchin’ rock star from Mars with the ability to turn tin cans into pure gold. Talk about pulling yourself up by your bootstraps … even if it is just to snort a line of coke off a porn star’s bare ass. If the Academy truly wanted an entertaining Oscars ceremony, it would have hired Charlie “Chuckles” Sheen. It would have cost the Academy a few million dollars and a briefcase full of blow, but it would have been a psychotic laugh riot of Alex Jones Show magnitude. Instead, the Academy got cocky (not unlike Sheen himself) and slaughtered its cash cow. The same could never be said of South by Southwest, the little local music festival that blossomed into the world’s largest – seemingly overnight. Well, not exactly. This year marks a full quarter-century of SXSW’s existence, and through all that time, the oversight of SXSW’s directors has been vigilant, perhaps even psychotically obsessive. It could easily be argued that this obsession fueled not only SXSW’s prolific growth, but Austin’s emergence as the cultural mecca of the Southwest. This Saturday at the Austin History Center you can hear two of SXSW’s directors, Roland Swenson and Louis Black talk about the last 25 years of the Festival in a panel discussion moderated by Texas writer Joe Nick Patoski. There will also be musical performances by locals Why Not Satellite, whose members actually played in the first SXSW, and Austin Music Award winners Schmillion, whose members weren’t even born yet. Later in the evening in Wooldridge Square Park will be a preview of the upcoming SXSW documentary Outside Industry: The Story of SXSW, as well as a screening of 1943 documentary Austin: The Friendly City.